Carl Broemel of My Morning Jacket
Genre: singer-songwriter, rock
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Years before Carl Broemel joined My Morning Jacket — the Grammy-nominated, globe-trotting rock band featuring his guitar playing, saxophone solos, harmony singing, pedal steel riffs, and songwriting support —he wrote his very first songs in his Indiana bed-room. From the start, he was a multi-instrumentalist with a singer's gift for melody. A sideman capable of handling a frontman's job. As his guitar-playing career blossomed, Broemel continued writing songs of his own, carving out a personal, introspective sound that reached beyond My Morning Jacket's sonic landscape. With his third solo album, Wished Out, he merges articulate, pensive songwriting — including ruminations about science, love, the passing of time, and the grind of the artistic struggle — with some of the most energetic, rock-inspired songs to date. "I wanted to get things moving," says Broemel, who remembers playing shows insup-port of his 2016 solo release — the critically-acclaimed 4th of July, full of daydreaming guitar tones and soft dynamics — and hearing the quiet crash of glass whenever his fans tossed beer bottles into the clubs' trash cans. "My songwriting canbe very mellow," headds. "I love that mood, but I needed more balance this time around. I needed more en-ergy! Wished Out is all about the yin and yang." Broemel recorded Wished Out at his newly-constructed home studio in Nashville, track-ing many of the instruments alone before reaching out to several friends — including Robbie Crowell (Deer Tick), Russ Pollard (Everest, Sebadoh), and My Morning Jacket bandmates Tom Blankenship and Bo Koster — for help. He worked in spurts, taking short breaks to drive his son to school and longer breaks to hit the road with My Morning Jacket. With sunlight filtering through the studio windows during his days at home, Broemel steadily whittled his new album into shape, pulling triple duty asWished Out'sproducer, engineer, and frontman along the way. From the harmonized guitar riffs and deep-seated grooves of the kickoff track, "Dark Matter,"to the McCartney-worthy pop textures and densely-stacked vocalsof "Out ofReach," Wished Out finds Broemel picking up the pace without sacrificing his love ofmelody. Hooks are everywhere, hidden in the dreamy, California folk-rock of "Malibu Shadow"; the percussive, psychedelic punch of "Starting from Scratch"; the stoned, stut-tering rock & roll swagger of "Rain Check"; the show-stealing guitar solo that stretches itself throughout the second half of "Wished Out"; and beyond. A heavy reader, Broemel found inspiration in the scientific writings of Neil deGrasse Tyson, the work of evolution-ary biologist Richard Dawkins, and the anthropological essays of Loren Eiseley. The re-sult inan album whose melodies go down smooth, but whose lyrics unveil new layers with each listen. It's a thinking man's rock & roll record...orisit the other way around? Songs like "Dark Matter" and "Out of Reach" take a turn for the metaphysical, with Broemel examining his own place within the cosmos. Meanwhile, "Second Fiddle" tips its hat to Ronnie Lane, George Harrison, Art Garfunkel, and other sidemen who've have bal-anced solo careers with their dedication to a larger, busier band. [For Broemel —anin-demand instrumentalist who's toured with Ray Lamontagne, recorded with country icon Wanda Jackson, and become an integral part ofMy Morning Jacket's engine over the
last 14 years — a song like "Second Fiddle" feels particularly poignant, offering a first-hand perspective of rock & roll life in the passenger seat.] Throughout the writing process, Broemel worked with drum loops and otherpro-grammed beats, looking to instill a strong sense of movement into his songs. He wrote athome. He wrote on tour. He wrote during an inspirational trip to Malibu, where he rented a quiet cabin above the Pacific Ocean and emerged several days later with "Malibu Shadow" and "Starting From Scratch." The result is a tracklist whose diversity reflects the many influences, instruments, and commitments of its own creator. With its mix ofguitar muscle, rock & roll grit, left-field pop punch, and lyrical wit, Wished Out sheds new light on a team player who shines just as bright when he's calling his own shots.
A country groove instrumental duo comprising guitarist Jeremy Fetzer and pedal steel guitarist Spencer Cullum, both veteran Nashville session musicians, Steelism combines country twang, jazzy swing, blues, and an R&B punch, with throwback surf guitar, and Ennio Morricone-like movie soundtrack washes in an utterly unique 21st century blend of all of these things and more. Fetzer, who grew up in Canton, Ohio, and Cullum, who grew up in Essex, England, met while touring the U.K. as part of Nashville singer Caitlin Rose's band. The two began experimenting with impromptu instrumentals during soundchecks, and the idea for Steelism took hold. A debut EP, The Intoxicating Sounds of Pedal Steel and Guitar, drew immediate critical acclaim, and the duo, backed by Nashville's Jon Radford (drums) and Michael Rinne (bass), released a full-length, 615 to FAME (half of the record was tracked at Muscle Shoals' historic FAME Studios while 615 was the duo's Nashville area code), on Single Lock Records in 2014. The pair released The Drawing Room, Vol. 1 EP in 2015, returning with the full-length Ism in the summer of 2017. ~ Steve Leggett, Rovi